![]() ![]() Were you drawn to the idea of unreliable narrators? ![]() There are several different narrators in the book and they’ve all got their own agendas, and it’s also a book within a book. Almost to a bigger extent than a natural disaster. ![]() And I wanted to look at why that was, why are we all so, particularly with air crashes and also to a certain extent I noticed the same thing with cruise ships as well, as soon as there’s that kind of disaster, it does dominate the news. My husband and I for years have been completely obsessed with air crash investigation, and also the way, immediately when there’s a crash, how it’s all over the news. I always wanted to write about an air crash and plane crashes, a) because I’m flight-phobic and b) because I’m completely fascinated by it. What was the initial seed of the idea for The Three? We spoke to Lotz about her novel, why she’s drawn to horror and if we are seeing a boom in South African genre fiction. Are they the horsemen of the apocalypse, alien invaders, or are they simply three children who have been through a terrible ordeal? As the media circus swarms around them, different groups find different agendas. When four planes crash at the same time, three survivors are found each of them children. Sarah Lotz’s The Three could very well be the SF thriller of the year. ![]()
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